Friday, September 24, 2010

Double Indemnity - Craig Walters

In this shot, the only light coming into the room in which Walter Neff is standing is coming through the windows of the room, which is a symbol of fragility. These windows shines bits of the light on Neff while the shades on the window create a very harsh lighting contrast with jagged features. It also entails a very urban room setting as most of film noir takes place within cities. the ability to see the streams of streaky light coming in from the window makes it seem as if the room is not only dark, but also clouded with smoke drifting in the light. Despite the features of light, the lack there of is more important, or at least the contrast in film noir. Neff’s body takes on the darker features because the light in shining on such a small portion of his body. The lighting on one side of his face while the other being much darker very much to reminds me of the Batman villain, Two-Face, which may elude to the dark side of Neff which is portrayed later in the movie. Film Noir’s overarching theme of the darker aspects of the human condition can definitely be seen in this movie and very delicately placed throughout any shot in the movie, as in this one.

3 comments:

  1. I chose the second picture, however it didn't post with the blog for whatever reason.

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  2. Not sure what you mean by fragility here, or how that might fit into your reading of the image. The daylight outside certainly creates an interesting visual and narrative contrast, and the dust you notice, as well as the concreteness of the light suggest some interesting visual metaphors. More can be done with this, I think.

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  3. By fragility, i meant, that Neff's character is broken between the light coming in from the window and the shades blocking the light. It makes him seem torn and if someone were to be torn then, I believe, the are in a delicate, or fragile, state of mind.

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